How to Fix Alice in Wonderland

Recently a lot of people enjoyed my piece on ‘How to Fix Superman‘ and I was thinking about it in regards to 2 movies I saw this weekend- X-Men Apocalypse and Alice Through the Looking Glass. I didn’t like either film and started wondering about what  would I do to make them better. X-Men is kind of an easy question because they already made a near perfect X-Men film in X-Men Days of Future Past. Just do that again…But Alice, now that got me thinking. How would I change Alice and make it work for a modern audience? Let me lay out it out for you:

1.Use the books!

Mockturtle_tenniel None of the Alice in Wonderland films have done particularly well at using the actual Lewis Carroll novels. The 1951 animated film is certainly the closest but it cuts out a ton of the characters and scenes in the book.  For example the Duchess and her entire plot with Bill the Lizard is eliminated.

Naturally you have to take things away when doing any adaptation but it would be nice for once to see a very close telling of Carroll’s book. In Disney’s animated version they bring in incidents like the Walrus and the Carpenter which is in Alice Through the Looking Glass and leave out the Mock Turtle and other good stuff in the Adventures in Wonderland book, so there is time to include more from each book.

The reason I think this would be a great fix to Alice in Wonderland is it would feel new while still being authentic to the world of the story. One of the many problems in Alice Through the Looking Glass is the new characters they invented (movie has nothing to do with its titled book) felt extremely generic.  There certainly wasn’t anything nearly as creative as a gryphon or Mock Turtle.

Alice in Wonderland is great because it is unpredictable. It has little plot but it constantly surprises the reader with a new creature, idea or joke (more on that later). This makes the book charming and the animated film captures this appeal but it could be expanded upon.

2. Embrace the Nonsense

alice in rabbits houseOne of the best things about the animated Alice in Wonderland is the embrace of nonsense. I love when Alice says “If I had a world of my own, everything would be nonsense. Nothing would be what it is, because everything would be what it isn’t. And contrary wise, what is, it wouldn’t be. And what it wouldn’t be, it would. You see?”

This quote does something that Over the Rainbow does for Wizard of Oz. It gives a reason for our heroine to be seeking another world and then when she lands there let her be dazzled by the nonsense.  There is no need to explain why the Red Queen has a large head like they do in the latest film. We don’t need a story about the Hatter’s family. We simply want Alice to meet a lot of fun creatures and get home at the end. It’s as simple as that.

Nonsense at its core should be unpredictable while exposition and dopey plots are not. Alice doesn’t work unless it is unexpected.

3. Embrace the Humor of the Book

alice 1933-2One of the things the 1933 version of Alice in Wonderland gets right is the wicked humor in Carroll’s writing.  When I recently read his books I was surprised how much I laughed. It’s a kind of absurdist humor and can be very dark but that is part of its charm.

For example, I love when the Duchess’ baby turns into a pig.  This is not only funny but wickedly grotesque in a way.  Either way it is unexpected and once again that’s what we need in a new Alice.

Other funny characters can include- Cheshire cat, Mad Hatter, The King,  Tweedledee and Tweedledum and more.

4. Do not ‘YA’ it up

fairytale retellingsOne of the absolute worst trends in recent literature has been the YA retellings of classic fairytales.  I blame Wicked but then Twilight took it to a new level with their ‘new take’ on classic vampire lore. These terrible novels almost always contain a love triangle and a mysterious heroine who is bland, bland, bland.

The 2010 Alice in Wonderland didn’t go the love triangle route but it tried to YA Alice with a bland heroine who is the chosen one and is going to set everything right. Maleficent certainly tried to follow this trend. Ugh. I hate it, hate it, hate it.  Every character somehow gets turned into this mopey, annoying, brooding teenage girl and you know what that is- boring!!!

Fairytales have somehow managed to appeal to people for hundreds of years without love triangles and chosen ones and all this YA nonsense messing them up. People hate on Frozen but at least it did a few things that were different and unexpected to most people.

5. Embrace More Realistic Style and Production Design

alice in wonderland hipsterWe’ve gotten 2 movies where we have CG’d our brains out in Wonderland. Let’s try something different.  What if instead of a totally synthetic world we embraced a Wes Anderson type of sensibility for our new Alice in Wonderland? What if it wasn’t actually a rabbit but a woman with rabbit ears? That would be intriguing and different? It could be more like the fairytales of the 1980s where the dialogue and costumes did the talking rather than the special effects.

Alice could still be in a new place and it could still be Wonderland but why does everything have to be new? Having a more subdued aesthetic to Wonderland might force writers to focus on the dialogue, which is where Alice in Wonderland should really shine anyway.

moonrise kingdom2You wouldn’t have to get Wes Anderson but he is such a great writer I would love to see him work on it. And I would love to get cinematographer Emmanuel Lubezki involved and his famous long takes. How great would that be?

pans-labyrinth4Another film I would point them to for inspiration is Guillermo del Toro’s Pan’s Labyrinth. This is obviously a more horror take on a fantasy world but look how real the creature looks? Like you could reach out and touch it. How neat would it be for Alice to meet a character that feels so palatable and real?

del Toro obviously used CG and special effects in Pan’s Labyrinth but never in a way that takes you out of the movie. It’s too add flair rather than compensate for lazy writing. And most importantly it was something new and totally unexpected and again that’s what we need for Alice to work.

pans labyrinth bookIn conclusion, if I had was asked to pitch a new Alice in Wonderland here’s what I’d suggest:

Alice is a young girl in the 1950s who is bored with her strict parents and teachers. One day she stumbles upon a book in the library about a rabbit and his adventures in Wonderland. The next thing she knows she is in a version of her school but everything looks different- like it has been reversed. Some people have strange costumes on and she wonders if it is a special costume day and nobody told her.  Then she see’s a boy with rabbit ears on who looks scared.  He is rushing out of the school and she follows him into a strange woods. There she meets a variety of creatures and people, some of them funny, some nonsensical, some scary. Eventually she figures out her boredom is really her own fault and there are things she needs to be doing back in her regular life. She wakes up in the library with the librarian telling her class is dismissed. On to further adventures she goes ready to live a dynamic life!

Don’t kill me that it isn’t perfect but hopefully it gives you a flavor of the kind of story I think might work very well. Either way it would be something new and visually different than we have seen in Alice in Wonderland.  It would stick closer to the book, embrace the humor of the story and avoid all that YA crap.

What do you think? Am I on to something? What would you do to make Alice in Wonderland good again?

Over the Garden Wall is similar to the type of aesthetic and combination of humor/magic/realism that I think would be great.

5 thoughts on “How to Fix Alice in Wonderland

  1. Funny you bring up Guillermo del Toro since in my ‘Through the Looking Glass’ review I basically imply (or maybe even outright state) that they have a movie that could’ve been vastly improved if it had been directed by del Toro (mainly the way the Time stuff was.) Definitely with you on bringing practical effect into it as much as possibly. Your pitch idea sounds appealing. Also happy to know I wasn’t the only one who had wished they had brought in more new characters with the Looking Glass movie. Time actually appealed to me because he wasn’t somebody or something that we had seen previously and I liked his little ‘Seconds’ and thought Wilkins was fun, but all that felt underused, and it was nice to see them include the Humpty Dumpty bit, which gives you a false feeling of this being a movie where Alice just meets a bunch of strange characters. But instead of including some more interesting characters, particularly ones from the animated film or books that we hadn’t seen in this film universe yet, they decided we wanted horrifying vegetable demons!

    Liked by 1 person

  2. I keep forgetting to talk about the vegetable people. That could have worked but since the rest of the movie was so bland it felt more off putting than creative. It almost makes me mad when I think of what del Torro could have done with Time in that world. I guess I dont see when there are great characters from the book why not use them instead of inventing new ones?

    Like

  3. I don’t really mind the YA stories as long as they don’t change the meaning of the original story which Wicked doesn’t and Maleficent and , you could argue, Alice in wonderland which do

    Liked by 1 person

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